The odes we read today do not seem so public. In fact, from the late 18th century on, odes commemorating public events rarely survive the event of their publication. Pope’s “Ode on Solitude” is a short poem-unusual for an ode-while Keats’ “great odes” are about very private matters. It’s hard to come up with a better definition than that because the actual poems that call themselves odes vary a lot. The ode is a longer poem, serious or meditative in nature, commonly about events of a public nature, written in formal language and usually having a strict stanzaic structure. But most practitioners of the Ode in English have taken only some of the particulars of the Ancient ode to heart as they reproduce the form. Its origins are in the Latin poetry of the Roman Empire, and there its form is very strict. Some are very strict in form, some very loose. We’re not going to cover them individually. The Ode: The ode comes in a number of flavors-Pindaric, Horatian, English, Irregular. The subgenres, mostly subgenres of lyric, must still be recognized, however. Most poetry today, however, is written in the lyric mode: “Dramatic” and “Narrative” being largely taken over by prose fiction. This categorization of types held from the time of Aristotle (4th C. What had been the stuff of narrative poetry has become the purview of novels and prose fiction more often now.ĭramatic, poetry told from the point of view of a character. Narrative, epic poetry, poetry that tells a story in which a variety of characters speak and interact. Originally poems intended to be recited or sung to the accompaniment of a lyre. Lyric, poetry written from the first-person point of view of the poet. From the 19th-century on, they have lost categorical force. They derive from Aristotle (who used the word “epic” rather than “narrative”). Lyric, Narrative, Dramatic: the ancient poetic distinctions held until the 18th-century. 7 Some Other Forms: ode, ballad, elegy, epic, dramatic monologue, villanelle, sestina
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